Produced by Portishead co-founder the musician-producer, this scabrous if slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single important plot development, but it results in a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
